} frozen hearts growing colder with time
Nov. 28th, 2015 03:47 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
It's a normal dreary day in London when Bond arrives home, latest investigation finished. The satisfaction of a job completed is distant and vague; it's the rush of the job, not its completion, that he does this for. That it serves and protects at the same time is all that lets him sleep at night in the end.
The misty coastal fog drifts over the bleak gray sameness of streets and buildings, and when he lets himself into his flat, there's not much remission. It's bare, looking half-moved in with odds and ends and an incomplete set of furniture, a sheet draped along the back of the couch, artwork propped up on the floor against the walls. Nonetheless, Bond knows right away that it's been broken into, because they hadn't been subtle-- they'd left the door unlocked, an invitation or a taunt.
Inwardly, he snaps to attention like a spring recoiling, and eases out his handgun from beneath his boxy suit jacket. He silently clears each room but doesn't yet holster it. They could be trying to get the drop on him. Then commences the thorough, methodical searching to determine what they were after. To his frustration, he doesn't immediately find anything-- he keeps nothing important here, barely even comes here if he can help it, much preferring to spend the night in a woman's warm bed.
It's not until he's starting to grate his teeth with the tension that he wrenches the icebox open with frustration and finds the severed hand laying there, perfectly preserved, on the ice. It's a woman's hand, slender and manicured, but impossible to recognize from hand alone. There's no jewelry, nothing else, not even a note. The blood has coagulated on the gory end of the stump, jarringly clean and neat at the cut.
So it was a taunt, he decides, long exhale rushing out of him.
He slips his gun back into the holster and goes to retrieve one of his discarded boxes. Time to pack it in ice and cloth and bring it into the office and see what Q can get from it.
No rest for the wicked.
The misty coastal fog drifts over the bleak gray sameness of streets and buildings, and when he lets himself into his flat, there's not much remission. It's bare, looking half-moved in with odds and ends and an incomplete set of furniture, a sheet draped along the back of the couch, artwork propped up on the floor against the walls. Nonetheless, Bond knows right away that it's been broken into, because they hadn't been subtle-- they'd left the door unlocked, an invitation or a taunt.
Inwardly, he snaps to attention like a spring recoiling, and eases out his handgun from beneath his boxy suit jacket. He silently clears each room but doesn't yet holster it. They could be trying to get the drop on him. Then commences the thorough, methodical searching to determine what they were after. To his frustration, he doesn't immediately find anything-- he keeps nothing important here, barely even comes here if he can help it, much preferring to spend the night in a woman's warm bed.
It's not until he's starting to grate his teeth with the tension that he wrenches the icebox open with frustration and finds the severed hand laying there, perfectly preserved, on the ice. It's a woman's hand, slender and manicured, but impossible to recognize from hand alone. There's no jewelry, nothing else, not even a note. The blood has coagulated on the gory end of the stump, jarringly clean and neat at the cut.
So it was a taunt, he decides, long exhale rushing out of him.
He slips his gun back into the holster and goes to retrieve one of his discarded boxes. Time to pack it in ice and cloth and bring it into the office and see what Q can get from it.
No rest for the wicked.